Disney Updates “Disney Look” for Cast Members

The “Disney Look” for Cast Members has been updated, allowing them to wear “gender-inclusive hairstyles” and appropriate tattoos.

Disney Parks, Experiences and Products Chairman Josh D’Amaro described the changes, and how the drive to be more inclusive, prompted the changes on Disney Parks Blog:

“To all who come to this happy place: Welcome.”

Walt Disney spoke these words during the dedication of the Disneyland Resort in 1955. Today, more than 65 years later, they continue to inspire us – and remind us that the magic we make must include everyone.

It’s important to me to share how we’re creating a place where everyone is welcome and taking action to create meaningful change. 

We want our guests to see their own backgrounds and traditions reflected in the stories, experiences and products they encounter in their interactions with Disney. And we want our cast members – and future cast members – to feel a sense of belonging at work.

That means cultivating an environment where all people feel welcomed and appreciated for their unique life experiences, perspectives and culture. Where we celebrate allyship and support for each other. And where diverse views and ideas are sought after as critical contributions towards our collective success.

But as with everything we do, this starts with actively listening, learning, and working with our cast and guests to imagine the possibilities. 

In 2019, we actively solicited input from our cast members from all over the world – to bring a greater focus to inclusivity and belonging for our cast. They brought forward more than 100 ideas, including one I’d like to share with all of you today.

Every Disney Parks cast member is familiar with our longstanding tradition of The Four Keys – Safety, Courtesy, Show and Efficiency – which have guided our approach to guest service for more than 65 years. The Four Keys are one of the first things that cast members learn about when they join Disney Parks, Experiences and Products, and they are regularly reinforced throughout their tenure. Each cast member is asked to use The Four Keys as the blueprint for the decisions they make during the workday and the approach they bring to their interactions with others. Cast members around the world know them by heart and live by them in their roles every day as they create amazing experiences for our guests.

And when we asked our cast how we could better cultivate a culture of belonging, they suggested the addition of a fifth key: the key of Inclusion. Like The Four Keys before them, The 5 Keys – with Inclusion at the heart – will continue to guide us as we interact with guests, collaborate together, create the next generation of Disney products and experiences, and make critical decisions about the future of our business.  

Inclusion is essential to our culture and leads us forward as we continue to realize our rich legacy of engaging storytelling, exceptional service, and Disney magic. 

We’re bringing the spirit of the Inclusion Key to life across our business. We’re reimagining our attractions to be more inclusive, like upcoming enhancements to Jungle Cruise and new adventures with Princess Tiana. We’re celebrating the diverse and inspiring stories of our cast and fans with creator collaborations and exciting experiences, like The Soul of Jazz exhibit at Walt Disney World Resort. 

We’re also looking at ways we can support and uplift our communities through programs like our Disney Dreamers Academy mentorship programs, and we’re including more diverse companies in our supply chain. In fact, we’re looking at ways to increase our support for diverse suppliers in a big way – we’ll share more details on this commitment in the future.

Our goal is also to have more representation and accountability across our organization, starting with my own leadership team and extending throughout our business worldwide, through tools and mentorship and learning programs that create awareness and foster leadership accountability. 

We’re looking at other traditions, too – including the policies that guide how our cast members show up for work. Our new approach provides greater flexibility with respect to forms of personal expression surrounding gender-inclusive hairstyles, jewelry, nail styles, and costume choices; and allowing appropriate visible tattoos. We’re updating them to not only remain relevant in today’s workplace, but also enable our cast members to better express their cultures and individuality at work.

Moving forward, we believe our cast, who are at the center of the magic that lives in all our experiences, can provide the best of Disney’s legendary guest service when they have more options for personal expression – creating richer, more personal and more engaging experiences with our guests.

This is just the beginning as we continue to work toward a world where we all belong – including a more diverse and inclusive Disney Parks, Experiences and Products. There’s more to do, but we’re committed to listening, learning and making meaningful improvements.

The world is changing, and we will change with it, and continue to be a source of joy and inspiration for all the world. We’ll never stop working to make sure that Disney is a welcoming place for all. I’m excited about where we’re headed, and we’ll have more to share soon. Thank you for joining us on this journey.

Disney also released a corresponding video to go along with the announcement.

Florida Senators Introduce Legislation to Override CDC Cruise Guidelines

U.S. Senators have introduced legislation that would override the Centers for Disease Control’s (CDC) current cruise guidelines, which include test voyages, vaccination plans, and agreements with ports and local health authorities before cruise lines would be able to resume operations.

Florida Senators Rick Scott and Marco Rubio and Alaska Senator Dan Sullivan, all Republicans, introduced the CRUISE (Careful Resumption Under Improved Safety Enhancements) Act on Tuesday, April 13. This is just days after Florida Governor Ron DeSantis filed a lawsuit against the CDC regarding the same cruise guidelines.

The Cruise Act would require the CDC to revoke their existing guidelines—which were updated April 2—by July 4. An inter-agency “working group” would develop a new set of cruise recommendations, also by July 4, the latest possible date that cruises could resume operations. This group would be comprised of secretaries of Transportation, Homeland Security, and Commerce, along with industry representatives.

“While many sectors of the economy have been safely operating for months under CDC guidelines, Floridians, and those across the nation that rely on the cruise industry for work, continue to wait for updated guidance from the CDC,” Senator Scott said in a statement. “The CDC’s refusal to properly address this shutdown is wrong, and it’s time to get the cruise lines open safely.”

“Floridians and many other Americans who are employed by ports, cruise operators, or work in hospitality jobs near cruise terminals face an uncertain future because of the CDC’s unresponsiveness to requests for guidance by stakeholder groups,” Senator Rubio said in a statement. “I am proud to join Senators Sullivan and Scott in introducing legislation that would require the CDC to provide guidance to safely resume operations this summer, and allow Florida’s economy to recover even further.”

U.S. Representative Maria Elvira Salazar, also Republican, plans to introduce similar legislation in the House of Representatives. In a statement, Salazar said, “This legislation will fix the CDC’s arbitrary guidelines and give clarity and fairness to the industry that creates hundreds of thousands of jobs throughout Miami’s entire tourism economy.”

Last week, Secretary of Transportation Pete Buttigieg said that he would like to resume cruises this summer but that they present their own set of logistical and health challenges.

“Airplanes have one safety profile; cruise ships have another, vehicles have another,” Secretary Buttigieg said. “And each one needs to be treated based on what’s safe for that sector. I’ll tell you, I certainly care a lot about seeing the cruise sector thrive. And I know that the CDC is hopeful that a lot of these operators will be in a position to be sailing by mid-summer.”

Disney Cruise Line has most recently canceled all sailings through June 2021 and some European cruises through mid-September. “Disney Magic At Sea” U.K. cruises are planned for this summer but dates have not yet been announced.

Disney’s Hollywood Studios Reservations Fully Booked for Theme Park Ticket Holders, Resort Guests through July 1, 2021

Walt Disney World’s theme park reservations calendar has some disappointing news for many guests.

All reservations for Disney’s Hollywood Studios, home to Star Wars: Galaxy’s Edge, are no longer available through July 1st for those guests who have single or multiday tickets, or even guests at select Walt Disney World resorts.

At this time, Annual Passholders can still reserve their spots at Hollywood Studios through select days in April, May, and June. New Annual Passes are still not available to purchase.

Disney Developing Augmented Reality System

Via wdwnt.com

Lighting is often an overlooked aspect of attraction design. Look up while riding Spaceship Earth and you’ll find numerous theater-style lighting fixtures. Consider how the Sistine Chapel scene lighting differs from the computer lab. Lighting designers illuminate the scenes much like a television production or stage show. A new Disney invention could eliminate traditional lighting, moving lighting effects to an augmented reality viewer.

The “Introducing Real-time Lighting Effects to Illuminate Real-world Physical Objects in See-through Augmented Reality Displays” patent application (US 2021/0097757 A1) published April 1, 2021 sheds some light on the invention. A shader and a light source generator are used to apply virtual illumination to physical objects viewed through an augmented reality (AR) display.

“An example method generally corresponds to a three-dimensional geometry of an environment in which the augmented reality display is operating, and the shader generally comprises a plurality of vertices forming a plurality of polygons. A computer generated lighting source is introduced into the augmented reality display. One or more polygons of the shader are illuminated based on the computer-generated lighting source, thereby illuminating one or more real-world objects in the environment with direct lighting from the computer-generated lighting source and reflected and refracted lighting from surfaces in the environment.”

Patent Application

The application’s abstract is rather dense. Let’s simplify it a bit. This system is able to map three dimensional objects in the real world. The shader identifies points on the object; those are the vertices. Those vertices are then connected to create numerous polygons, mapping the real-world object for the computer.

A computer-generated lighting source is then applied to the polygons identified by the shader. The rendered scene lighting is displayed on top of the real-world objects through the AR screen.

Fig. 1A provides an overview of one implementation of the system. The user wears an AR viewer (100A). A camera (120) captures the real-world environment, sending the captured information to the processing system (110). The processing system analyzes the captured environment (112), shades the objects by creating polygons (114), generates virtual lighting (116), then renders the scene (118). The rendered lighting scene is displayed over the see-through lens (140). The user sees virtual lighting effects applied to the real-world objects.

lighting-effects-augmented-reality-patent-2-9416105

A second version of the system (Fig. 1B) offloads some processing to a networked computer. In this version, the environment identification (112) and shading (114) is handled remotely. A processing system (160) in the AR viewer then generates the lighting effects (116) and renders the augmented scene (118) to the display (130). This setup would allow for smaller, more affordable AR viewers.

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Fig. 4 shows the same real-world office scene. The top image (402) does not include the virtual lighting effects. With the rendered lighting effects, the office lighting becomes starker (404). This is the only example provided in the patent application.

This invention could change the way attractions are lighted. While it likely wouldn’t eliminate traditional lighting, it would introduce many new lighting possibilities.

“Star Wars: Detours” Comedy Series May Finally Arrive On Disney+

According to The Vulcan Reporter, Star Wars fans may be in for a surprise on May 4th, when the long shelved animated series, “Star Wars: Detours”, finally makes its debut on Disney+.

“Star Wars: Detours” is a CGI animated Star Wars parody series created by Seth Green and Matthew Senreich, the creators of “Robot Chicken”. The series takes place between the Star Wars Prequels and The Original Trilogy, and according to Seth Green, 39 episodes were completed. The series was announced in 2012 during Star Wars Celebration, but after Disney acquired Lucasfilm and the Star Wars franchise, the series was shelved since Disney felt they would rather focus on more “serious” projects, such as the new sequel trilogy.

Voice actors that were involved in the show included Dee Bradley Baker, Abraham Benrubi, Ahmed Best as Jar Jar Binks, Anthony Daniels as C-3PO, Felicia Day, Donald Faison, Nat Faxon, Seth Green as Obi-Wan Kenobi, Jennifer Hale, Zachary Levi, Joel McHale, Breckin Meyer, Dan Milano, Andy Richter as Zuckuss, Cree Summer, Catherine Taber[7] as Princess Leia, Billy Dee Williams as Lando Calrissian, “Weird Al” Yankovic as 4-LOM,Grey DeLisle, and Seth MacFarlane as Palpatine.